Omni-Bach – Volume 1: Violin Partita No. 1 (BWV 1002) Transposed to 12 Keys for Solo Guitar
The Omni-Bach Series: Introduction
The Omni-Bach series presents complete masterworks by J. S. Bach, transposed into 12 keys. The series fosters a deeper understanding of the foundations of tonal harmony (progressions, cadences, voicings, arpeggios, scales, etc.), and the development of an all-embracing mastery of instrumental technique.
Classical and jazz guitarists will find ample material for arranging, sight-reading, improvisation, and harmony studies.
Tetrachords for Guitar (also Bass & Flute): A Thesaurus of Four-Note Patterns for Improvisers & Composers
Tetrachords, or four-note patterns, offer various advantages over scalar or modal approaches to improvising and composing melodies through chord changes.
A tetrachord-based linear approach is indispensable for navigating modern improvisational styles due to the general complexity, challenging tempos, and fast-moving harmonic rhythms involved.
Tetrachords: A Thesaurus of Four-Note Patterns for Improvisers & Composers, a comprehensive 219-page resource, offers clear solutions and stimulates creativity through:
An introduction to using four-note patterns (tetrachords) for melodic improvisation in the style of John Coltrane
A highly-organized 24-day practice plan for mastering 144 of the most common tetrachord permutations, in every key, and across the entire range of the instrument
Four etudes based on John Coltrane’s “Giant Steps” and “26-2” chord progressions
Advice on tetrachord-based melodic improvisation, including detailed resources for creating variations in rhythm and contour
The book’s six appendices include comprehensive lists of all of the tetrachords possible within the altered and chromatic scales, as well as suggestions for applying tetrachords to extended harmony and “upper-structures.”
(Please note: this book does not include TAB; it is presented in standard notation only.)