“The poet only asks to get his head into the heavens. It is the logician who seeks to get the heavens into his head. And it is his head that splits.” – G.K. Chesterton, Orthodoxy

Below are 24 possible orderings of a 7th chord arpeggio.

I have organized the combinations across a six-day practice cycle for digestibility:

Though notated as C Major 7 arpeggios, these permutations can represent other harmonies. I highly recommend playing the permutations through harmonized scale “cycle” progressions, “tweaking” the intervals to suit the chord qualities involved in a given progression:

Various contours are possible, depending on the octave chosen for each of the tones. Here are four different contours for the same combination (1357):

Here are the same four contours, transposed up an octave:

Now through the harmonized Melodic Minor scale, Cycle 2:

The same four contours, transposed up an octave:

Now through the harmonized Harmonic Minor scale, Cycle 2:

The same four contours, transposed up an octave:

As you can see, the possibilities are endless.

Try practicing a few permutations per day through either Major, Melodic Minor, or Harmonic Minor harmonized scales.

Remember to explore the various “Cycle” progressions, listed above.

It’s not reasonable to practice every pattern, but you’ll discover some exciting things if you occasionally dip into this well of possibility.