Chords Intervals

3-String Interval Voicings

Exploring interval combinations is a fascinating way to generate harmonies and a sure path to mastery of the fretboard.

Try fingering these voicings in various ways (different string groupings) and transpose them to other registers and key centers. As you practice these, think of the harmonic implications.

Arpeggios Chords Inversions Modes

Chord Inversions, Arpeggios, Scales: Combined Practice

Here is a useful exercise that combines 7th chord inversions and arpeggios with scales, allowing you to kill three birds with one stone in your practice.

The diamond-shaped white noteheads are the “main” note, the one you should have in mind while playing the other components of the exercise.

The idea is to blend chord inversions, arpeggios, and chord scales, or modes, into one stream of thought.

Try developing this concept within a jazz standard. Here’s an excellent chord progression:

Isfahan by Billy Strayhorn & Duke Ellington in the Key of D♭ (Original Key)

Try it in the key of C for some perspective and more guitar-friendly roots:

Isfahan by Billy Strayhorn & Duke Ellington in the Key of C (Easier Key)

Chords Harmonic Motion Inversions Scales

6th & Diminished 7th Chord Passages: Bebop Major and Minor

These chord passages are constructed from inversions of 6th chords (Major and Minor respectively) with Fully Diminished 7th chords interspersed.

This is a harmonization technique that is often associated with the pianist Barry Harris.

Remember to analyze these from other roots, reinterpret the harmony and use your imagination to find less than obvious substitutions.